Artistic energy from comradery at the Atlantic Center for the Arts

The Atlantic Center for the Arts complex from the top

The Atlantic Center for the Arts (ACA) is located in a dense scrub oak canopy habitat along Spruce Creek in New Smyrna Beach. This multidisciplinary artist residency facility was founded in 1977 by Doris Leeper, an internationally known sculpture and painter living in the area at the time. In a quick search of the web I found this facility ranked #3 on a list titled A Guide to 20 Top Artist Residencies and Retreats Across the United States published in 2012 by BLOUIN ARTINFO.

While much use of this facility focuses on their prestigious Master Artists in Residency Program where resident students are selected by the Master Artist through an open application process they also open the facility up to others when the use does not conflict with the residency programs.

ACA-Pabst

This past December I was invited to visit with a group of artists working at the ACA participating in an annual artist retreat now in its 15th year organized by ACA residency alum Jean Banas who studied with Fumio Yoshimura (1926-2002) in 1985. Banas is an extraordinary abstract artist who is respected well beyond her home base of New Smyrna Beach.  Of the event Jean says, “A majority of the artists attended Steve Aimone‘s ACA workshops. These long time dear friends come together yearly as a close knit family, to be inspired and supportive of each other. I feel honored that these professional artists are so pleased to be a part of the group.”

Garde and Zalisko take a moment.

Garde and Zalisko share a moment

I joined the group for dinner one evening, which was followed by a tour of their studio areas. Since most artists come to this retreat for privacy I was honored by these moments with them. I settled in at a table with a few other visitors, Jean’s husband and art enthusiast Ray and artist Harold Garde, whose exceptional career is a must read. (web at haroldgarde.com)

Suddenly a vibration of energy joined us in the dining area – enter the working artists – laughter ringing out and discussion buzzing. I enjoyed and readily accepted the contagion as each artist greeted me. It was as though I had too been painting with them for the past several days. Most artists I know are like this – energized by being with other artists, working on art and talking about art. It’s an inspiring lifestyle for both novice and professional artist.

Comradery

Comradery

In this year’s group I discovered a powerhouse of award winning professionals who are confident in the importance of their artistic journey. Each came to the retreat for their own reason, but inspiration was a common theme. One had recently returned from a 30 day residency, another from Spectrum at Miami Basel planning a work for a group show in New York City, one an arts professor on her individual art trek away from the classroom, one just having closed a solo exhibit at a major institution, with another hinting at an upcoming major public art opportunity – some starting new works, some experimenting, and others finishing up works started elsewhere. These are artists you want to watch going forward if you aren’t watching them now.

Check out the list of heavy hitters below. Enjoy a few quotes on this retreat from some of the artists. Be sure to use the links to their web sites when they are available. Enjoy!

Works by Banas

Works by Banas

 

Jean Banas
New Smryna Beach, Florida

Cheri Erdman
New Smryna Beach, Florida

Frances Gardner
Health Springs, South Carolina

Carson Kapp
New Smryna Beach, Florida

 

Gardner - tools await her return

Gardner’s tools await her return

 

Martha Lent
Maitland, Florida

Martha Mahoney
Winter Park, Florida

Karlene McConnell
Ormond Beach, Florida

Kathy O’Meara
New Smyrna Beach, Florida

 

Wild - 8 x 8 underway

Beau’s 8×8 underway

 

 Betty Parker
Daytona Beach, Florida

Audrey Phillips
Maitland, Florida

Antoinette M. Slick
Ormond Beach, Florida

Beau Wild
Port Orange, Florida

Pat Zalisko
Estero, Florida

 

“I successfully completed my 1st Kick Start Campaign to create an 8’x8’ painting on how fragile we are for the New York Expo. I have painted the initial painting over the past 2 days, but do see some to resolve in the size and theme.”

Beau Wild, Port Orange, FL

Mara Whitridge paint seems to float

Mara’s paint seems to float

 

 

 

“I am painting because I am painting, no goal just process.”

Mara Whitridge, DeLand, FL

 

 

Lent goes minimalist

Lent goes minimalist

 

“I have been away from painting most of this year. This was an excellent opportunity to just have fun. I did not have a specific agenda pre-planned out. I rather wanted to focus my time in painting a new series of 15 minimal abstract paintings with collage.”

Martha L. Lent, Maitland, FL

 

 

Slick prolific output

Slick’s prolific output

 

“I find the retreats at ACA very valuable, both for improvement of skills and for the comradery of working with fellow artists instead of alone in the studio.”

Antoinette M. Slick, Ormond Beach, FL

 

OMeara experimenting

O’Meara experimenting

 

 

“I’m here to have fun creating my art work at our annual art camp. Hanging with other creatives is so inspiring. We all thrive in this environment.”

Kathy O’Meara, New Smyrna Beach, FL

 

 

McConnell at station

McConnell contemplating

 

 

“I stay at ACA to explore and experiment. I feel more compelled to stray off my familiar path when I am surrounded by other artists in a beautiful new environment.”

Karlene McConnell, Ormond Beach, FL

 

 

“This annual retreat for me is a homecoming. I work with supportive friends who can and do offer constructive criticism. They have been my pals for years and know many of my life secrets. I couldn’t create in better company than this. Now, Christmas has begun for me.”

Pat Zalisko, Estero, FL

Mahoney chats about art

Mahoney chats about art

 

“I’m here to relieve myself of ….(kidding)…to be with fellow comrades of the Brush Brigade. I’m not leaving until the last brush is gone I swear!”

Martha Mahoney, Winter Park, FL

 

“The ambiance at the studios at the Atlantic Center for the Arts activates the artistic energy in me more than any other venue. Perhaps it is the fellowship of outstanding artists who work together here that generates the high level of inspiration.”

Betty Morris Parker, Daytona Beach, FL

UPDATE: Karlen McConnell, Audrey Phillips, and Pat Zalisko are currently exhibiting with Melisa Mason at the Ormond Memorial Museum, Ormond Beach, through February 28th.

The Grand Opening Reception for the Harold Garde: Last of the Game Changers exhibit at Henao Contemporary Center in Orlando is on Febraury 6, 2016 from 7:00pm to 10:00pm. The exhibition includes works unseen before and runs through March 27th.

Exhibit Opening at the Dr. Gene Prough Center for the Arts

Breaking Free: Dark Energy Dark Matter

Paintings by Margaret Schnebly Hodge

Opening Reception Thursday, January 22, 6:00-7:30 P.M.

Dr. Gene Prough Center for the Arts at Chipola College

Dr. Gene Prough Center for the Arts3094 Indian Circle, Marianna, FL         January 22 through March 1.

Join visual artist Margaret Schnebly Hodge at the opening reception January 22, 6:00 – 7:30 p.m. at the Prough Center for the Arts, Chipola College, 3094 Indian Circle, Marianna, FL. The exhibit of oil paintings and other media runs through March 6, 2015.The visual art gallery is open Monday through Thursday 9 a.m. to 4 p.m. and Friday 9 a.m. to noon. Admission to the gallery is free.

Throughout her career Hodge has enjoyed concurrent successes in both the commercial graphic and fine art fields. Long appreciated as an abstract figurative and landscape painter using a dark and rich palette and with a philosophical preoccupation with concepts of physical and emotional restraint, many works in this exhibit show Hodge’s aesthetic expansion beyond the sense of earth-bound considerations.

Breaking Free

Of her newest works, Gary R. Libby, Director Emeritus of the Museum of Arts and Sciences, Daytona Beach, says, “The qualities of light in a dynamic cosmos, the existence of supernovas, the qualities of dark stars, dark matter, dark energy, baryonic clouds of matter and ideas about anti-matter all seem to find a place in Hodge’s richly painted visions of a beautiful and powerful apocalypse on the heels of contemporary science’s early penetration into the mysteries of creation and destruction in our universe. In many ways Hodge’s new work artistically begins to bridge important elements of this new science with the eternal beauty and mystery of the Heavens.” To read more of his essay click here.

Devoting most of her time to the creative process and working privately in her Ormond Beach studio, Hodge has recently exhibited this series of work selectively with exhibitions at Daytona State College, Daytona Beach; the Karpeles Manuscript Museum, Jacksonville; and now at the Gene Prough Center for the Arts. To view images of the Breaking Free Exhibit click here. An award winning artist, her work can be found in private, public, and institutional collections. She also produces a professional blog on art books and exhibits.

Breaking Free: Dark Energy, Dark Matter

Daytona State College News Journal Center

News Journal Center

221 N. Beach Street, Daytona Beach, FL                May 27 through August 29

Paintings by Margaret Schnebly Hodge

Excerpt From The Universe

Excerpt from The Universe, 28″ x 68″, Oil on Canvas

Exhibit Essay by Gary R. Libby, Director Emeritus, Museum of Arts and Sciences, Daytona Beach, FL.

Long appreciated as an abstract figurative and landscape painter using a dark and rich palette and with a philosophical preoccupation with concepts of physical and emotional restraint, confinement and a striving for a sense of freedom, Margaret Schnebly Hodge has traveled a long and very interesting path of achievement in her career to date which can be viewed in the variety of the artwork presented in this exhibition.

Matter+Energy=

Matter+Energy=, 42″ x 42″, Oil on Canvas

Born in Daytona Beach, Florida, and athletic as a child and young adult, Hodge discovered the making of art as a means of personal self-expression in high school and later in college at Daytona State where she attended with a scholarship from the Daytona Beach Art League and eventually the University of Florida where she was graduated with a Bachelor of Arts degree from the School of Fine Arts. Later, Hodge studied at the Atlantic Center for the Arts in New Smyrna Beach before winning a 2005 Florida Arts Council Enhancement Grant as well as a number of additional awards and commendations from organizations throughout the State of Florida.

Stellar Drift

Stellar Drift, 48″ x 60″, Oil on Canvas

Hodge has exhibited her work selectively with recent exhibitions at the Florida Museum for Women Artists, DeLand; the Yvonne Scarlett Golden Cultural Center, Daytona Beach; the Karpeles Manuscript Museum, Jacksonville; and now the Daytona State College News Journal Center, Daytona Beach. Here she has unveiled a new group of paintings with a “cosmic “ theme. A casual glance at the titles of her recent work and a close look at the work itself suggests that Hodge has dramatically expanded her aesthetic vision beyond the sense of earth-bound considerations which occupied her earlier work. Now Hodge seems to look up and deeply into the night sky as a source of inspiration, especially since the phenomenal discoveries and deep-space images from the Hubble and other space telescopes which are looking into the worlds of dark matter and dark energy. These concepts redefine and help to explain our expanding and simultaneously collapsing universe. But Hodge is not merely illustrating these phenomena in a scientific way. Rather she is remystifying our universe in a series of large, complex and colorful paintings that suggest large ideas about our concepts of human visual perception and the workings of the outer universe.

Freedom Burst

Freedom Burst, 12″ x 12″, Oil on Canvas

The qualities of light in a dynamic cosmos, the existence of supernovas, the qualities of dark stars, dark matter, dark energy, baryonic clouds of matter and known ideas about anti-matter all seem to find a place in Hodge’s richly painted visions of a beautiful and powerful apocalypse on the heels of contemporary sciences early penetration into the mysteries of creation and destruction in our universe. In many ways Hodge’s new work artistically begins to bridge some elements of the new science with the eternal beauty and mystery of the Heavens.

 Gary R. Libby

Director Emeritus

Museum of Arts and Sciences, Daytona Beach, FL